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Old closed wooden doors, Dorut Tilovat Complex, Shakhrisabz, Uzbekistan
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Old closed wooden doors, Dorut Tilovat Complex, Shakhrisabz, Uzbekistan
Uzbekistan, Shakrisabz, Old closed wooden doors, Dorut Tilovat Complex
Eye Ubiquitous specialise in unique images of People and Places, their Cultures and Environments
Media ID 20101462
© Mel Longhurst / Eye Ubiquitous
Abode Architectural Brown Closed Door Doors Doorway Doorways Dwelling Entrance Frame Framed Historic History Home House Ozbekiston Panel Panels Residence Shut Timber Uzbekistan Vertical Weathered Weathering Wood Wooden Carpentry Doorframe Entrances Joinery Paneled Paneling Panelled Panelling Shakhrisabz Shakhrisyabz
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This print by Mel Longhurst captures the essence of history and architectural beauty in Shakhrisabz, Uzbekistan. The image showcases a pair of old closed wooden doors belonging to the Dorut Tilovat Complex, exuding an air of mystery and intrigue. The weathered brown wood tells tales of time gone by, as if whispering secrets from centuries past. These intricately carved doors stand as a testament to the craftsmanship and artistry that once thrived within these walls. Each panel is meticulously paneled with precision joinery, showcasing the skillful carpentry that went into their creation. As you gaze upon this photograph, you can almost imagine what lies beyond those closed doors - a world steeped in history and tradition. The vertical frame perfectly encapsulates the grandeur of this entranceway, inviting you to step into another era. The Dorut Tilovat Complex itself holds historical significance in Shakhrisabz, serving as a residence for those seeking solace or enlightenment. Its gumbaz (domes) add an extra touch of architectural splendor to this already remarkable structure. Mel Longhurst's expert eye has captured not just a simple image but also the soul behind it. This print transports us to another time and place, allowing us to appreciate the beauty found within old wooden doors and experience a taste of Uzbekistan's rich cultural heritage.
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