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Divan Japonais, 1892-93 (lithograph)
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Divan Japonais, 1892-93 (lithograph)
3432915 Divan Japonais, 1892-93 (lithograph) by Toulouse-Lautrec, Henri de (1864-1901); 80.8x60.8 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Divan Japonais Paris cafe-concert frequented by Toulouse-Lautrec. His poster features Yvette Guilbert and Jane Avril, here at the bar with Edouard Dujardin, a dandyish writer and nightclub habituA©. The headless body of Guilbert is on stage, recognizable by her trademark long black gloves and gaunt physique. ); French, out of copyright
Media ID 18260975
© Metropolitan Museum of Art, New York, USA / Bridgeman Images
Belle Epoque Bohemian Cabaret Cafe Cafe Concert Dandy Decadence Decadent Demi Monde Demimonde Fin De Siecle Jane Avril Montmartre Nightlife Orchestra Performing Post Impressionism Yvette Guilbert Post Impressionist
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This lithograph, titled "Divan Japonais" transports us to the vibrant and decadent world of 19th-century Parisian nightlife. Created by Henri de Toulouse-Lautrec in 1892-93, this print captures the essence of a famous café-concert frequented by the artist himself. The scene depicted in the lithograph showcases Yvette Guilbert and Jane Avril, two renowned performers of their time. At the bar stands Edouard Dujardin, a dandyish writer and regular patron of this bohemian establishment. The headless body on stage belongs to Guilbert, recognizable by her signature long black gloves and slender figure. Toulouse-Lautrec's mastery is evident in his ability to convey both the allure and decadence of this era. The poster serves as an advertisement for Divan Japonais, enticing viewers with its bold colors and dynamic composition. As we gaze upon this artwork, we are transported back to a time when cabarets were at their peak popularity. The Belle Époque atmosphere comes alive through Toulouse-Lautrec's portrayal of lively entertainment, orchestral music filling the air while patrons indulge in drinks at dimly lit tables. This lithograph not only captures a moment frozen in time but also offers us a glimpse into an extraordinary period where art merged seamlessly with society's indulgences. It is no wonder that "Divan Japonais" remains an iconic representation of fin de siècle Parisian
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