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Head of a balustrade, originally from a bridge at Prakhan, Angkor-Thom (b / w photo)
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Head of a balustrade, originally from a bridge at Prakhan, Angkor-Thom (b / w photo)
828632 Head of a balustrade, originally from a bridge at Prakhan, Angkor-Thom (b/w photo) by Indian School; Musee Guimet, Paris, France; (add.info.: Preah Khan (Khmer) sometimes transliterated as Prah Khan, is a temple at Angkor, Cambodia, built in the 12th century for King Jayavarman VII. It is located northeast of Angkor Thom and just west of the Jayatataka baray, with which it was associated. It was the centre of a substantial organisation, with almost 100, 000 officials and servants. The temple is flat in design, with a basic plan of successive rectangular galleries around a Buddhist sanctuary complicated by Hindu satellite temples and numerous later additions.); Indian, out of copyright.
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Media ID 18256407
© Musee Guimet, Paris, France / Bridgeman Images
Angkor Balustrade Buddhism Buddhist Cambodia Cambodian Deities Energy Immortality Infinity Naga Seven Headed Angkor Thom Preah Khan Serpent Symbols
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EDITORS COMMENTS
This print captures the mesmerizing "Head of a balustrade, originally from a bridge at Prakhan, Angkor-Thom". Taken by the Indian School, this artwork is now housed in the Musee Guimet in Paris, France. The image showcases an intricately carved sculpture that exudes a sense of timelessness and spirituality. The head depicts a male deity with seven serpent-like heads extending upwards, symbolizing infinity and immortality. This symbolic representation is deeply rooted in Cambodian culture and Buddhism. The sculpture's detailed craftsmanship is evident as every curve and line tells a story of energy and power. The snake-like deities intertwine with each other, creating an aura of mystique and divine presence. Originally part of a bridge at Prakhan within the ancient temple complex of Preah Khan in Angkor, Cambodia, this fragment serves as a testament to the rich history and architectural brilliance of the region. Preah Khan was built during the 12th century for King Jayavarman VII and served as both a religious sanctuary and administrative center. As you gaze upon this photograph, you are transported to another era where deities were revered symbols representing various aspects of life. Let your imagination wander through centuries past as you appreciate this remarkable piece that encapsulates Cambodian artistry at its finest.
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