Miners and their wives, 19th century
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Miners and their wives, 19th century
Miners and their wives, 19th-century artwork. The role of women in coal mining varied over time from country to country. By 1842, women and children were banned from working in coal mines in the UK, though previously they had been used to carry coal to the surface, and as coal mine workers at the surface. This artwork, which was published in Mines and Miners (L. Simonin, 1868), is based on a photograph taken at the Colleries of Charleroi, in Belgium
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Media ID 6431095
© SHEILA TERRY/SCIENCE PHOTO LIBRARY
1868 Belgian Belgium Coal Engraving History Of Science Husband Labour Mine Miner Miners Mines And Miners Mining Quartet Simonin Tunnel Under Ground Victorian Wife Women Worker Workers Working Conditions Charleroi Suffrage
EDITORS COMMENTS
This artwork, titled "Miners and their wives, 19th century" offers a glimpse into the complex dynamics of gender roles in coal mining during this era. Depicting an underground scene from the Colleries of Charleroi in Belgium, it sheds light on the historical significance of women's involvement in this arduous industry. In the 1800s, women played various roles in coal mining across different countries. However, by 1842, a significant shift occurred as UK legislation banned women and children from working underground. Prior to this change, they had been employed to transport coal to the surface and even worked as mine workers above ground. The artist behind this colored engraving skillfully captures a quartet comprising two miners and their wives. The image portrays both male and female figures engaged in laborious work within the dark tunnels beneath European soil. It serves as a testament to their resilience amidst challenging working conditions prevalent during that time. This thought-provoking piece not only highlights industrial history but also touches upon broader themes such as suffrage and societal norms surrounding gender roles. By immortalizing these individuals' struggles through artistry, it invites contemplation on how far we have come since then. Published in Mines and Miners (L. Simonin, 1868), this historic photograph turned artwork provides us with valuable insights into an important chapter of our past – one that shaped industries while simultaneously shaping perceptions about men's and women's contributions within them.
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