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Crepe Ginger Plant, folio from a Series Commissioned by Lady Impey, c
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Crepe Ginger Plant, folio from a Series Commissioned by Lady Impey, c
5910199 Crepe Ginger Plant, folio from a Series Commissioned by Lady Impey, c.1780 (opaque colours & ink on paper) by Shaikh Zain ud-Din (Sheikh Zainuddin, Shaykh Zayn al-Din) (fl.1777-83); 69.9A--92.1 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of Elizabeth and Willard Clark; Indian, out of copyright
Media ID 22564650
© Minneapolis Institute of Art Gift of Elizabeth and Willard Clark / Bridgeman Images
Album Bengal British Empire British Raj Calcutta Company School East India Company Eastern Impey Kolkata Lady Impey Lady Impey Portfolio Lady Mary Impey Mary Impey Mughal Patna Patronage Portfolio Shaikh Zain Al And X2013 Shaikh Zain Al–din Western Zainuddin
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EDITORS COMMENTS
This print showcases the exquisite beauty of a Crepe Ginger Plant, captured in stunning detail by artist Shaikh Zain ud-Din. Commissioned by Lady Impey during the late 18th century, this folio is part of a series that reflects the fascinating intersection between British colonialism and Indian art. The vibrant colors and intricate ink work on paper bring this botanical masterpiece to life, highlighting the skill and talent of Sheikh Zainuddin. The delicate crepe-like petals of the ginger plant seem to dance off the page, evoking a sense of wonder and admiration for India's rich natural heritage. Lady Impey's patronage not only demonstrates her appreciation for Indian flora but also underscores the cultural exchange between Eastern and Western traditions during this period. This collaboration between an English noblewoman and an Indian artist exemplifies how art transcends boundaries, bridging different worlds through shared artistic expression. Preserved at the Minneapolis Institute of Arts in Minnesota, USA, this print serves as a testament to both historical significance and artistic excellence. It stands as a reminder of Lady Impey's passion for botany and her contribution to fostering cross-cultural connections in an era defined by imperial expansion. As we gaze upon this remarkable piece from Shaikh Zain ud-Din's portfolio commissioned by Lady Impey, we are transported back in time to witness nature's splendor through the eyes of two individuals united by their love for artistry and exploration.
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