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aga1948 bw neg 111

aga1948 bw neg 111


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aga1948 bw neg 111

STUDIOCANAL Film and Theatre Film Posters and Stills

Media ID 19960725

© Studiocanal Films Ltd


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> Arts > Artists > Y > Art Young

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Historic > Cultural festivals and traditions > Ancient cultural practices

> Historic > Cultural festivals and traditions > Centuries-old festivities

> Historic > Cultural festivals and traditions > Cultural traditions

> Historic > Cultural festivals and traditions > Historical events and rituals

> Historic > Cultural festivals and traditions > Rituals and ceremonies throughout

> Historic > Cultural festivals and traditions > Traditional celebrations

> Posters > Movie Posters > The Women

> STUDIOCANAL > AGAINST THE WIND (1948)


VISUAL DESCRIPTION
A moment of cultural tradition captured in monochrome, this image depicts a scene from what appears to be a religious procession or celebration. A man, dressed smartly in a herringbone-patterned suit and wearing a flat cap typical of mid-20th-century fashion, stands facing two young girls. The girls are adorned in white dresses that suggest they might be participating in a First Communion ceremony or another Christian rite of passage. The girl on the left holds an ornate banner featuring religious iconography—a depiction of saints or biblical figures seated around what could be the Virgin Mary—framed by decorative borders and tassels. The other girl holds up another banner with similar ecclesiastical art; it shows an image that may represent Jesus Christ or another sacred figure. Their expressions are joyful and animated as they engage with the gentleman, who seems to be listening intently to their conversation. His hands are clasped together, indicating he is attentively involved in the interaction. In the background, onlookers gather near an old building with arched doorways that contribute to the historical ambiance of the setting. The crowd consists mostly of women wearing dresses indicative of styles from perhaps the 1940s or 1950s. Overall, this photograph captures not only a personal exchange between individuals but also reflects broader themes such as community involvement in religious traditions and generational continuity through shared rituals.

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