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She Was Only a Gardeners Daughter

She Was Only a Gardeners Daughter


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She Was Only a Gardeners Daughter

" She was only a gardeners daughter, but she knew how to handle a rake." A gaudily-depicted woman of humble origins seduces a " rake" - a womanising young man.
1928

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14405312

© Illustrated London News Ltd/Mary Evans

Commentary Gardener Illustrations Rake Satire Satirical Seduced Seducer Seduction Sep16 Promiscuous Seduces Womaniser


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She Was Only a Gardener's Daughter - A Satirical Take on Class and Seduction

EDITORS COMMENTS
This illustration, titled "She was only a gardener's daughter, but she knew how to handle a rake," is a delightful example of the satirical commentary on class and seduction that was popular in the early 20th century. The image, published by Illustrated London News Ltd in 1928, features a gaudily-depicted woman of humble origins who exudes confidence and allure as she engages in a playful interaction with a dapper, womanizing young man, often referred to as a "rake." The gardener's daughter, dressed in a simple yet striking outfit, is shown deftly handling a rake with an air of authority and seduction. Her expressive eyes and inviting smile suggest that she is well-aware of the power she holds over the young man, who appears to be completely smitten. The contrast between her modest attire and the extravagant clothing and accessories of the rake highlights the societal expectations and prejudices of the time, where class distinctions were rigidly enforced. The satirical tone of the illustration is further emphasized by the exaggerated and caricatured depiction of the characters. The woman's exaggerated curves and the man's exaggerated features and posture serve to poke fun at the societal norms and expectations of the time. This illustration offers a fascinating glimpse into the social commentary of the era, using humor and satire to challenge the rigid class distinctions and the notion of promiscuity being the exclusive domain of the lower classes. It is a delightful reminder of the power of art to provoke thought and challenge societal norms.

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