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Satan Going Forth from the Presence of the Lord, from Illustrations of the Book of Job

Satan Going Forth from the Presence of the Lord, from Illustrations of the Book of Job


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Satan Going Forth from the Presence of the Lord, from Illustrations of the Book of Job

Satan Going Forth from the Presence of the Lord, from Illustrations of the Book of Job, 1825-26

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Media ID 20577343

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Angels Blake Blake William Book Of Job Devil Evil Fallen Falling Good Old Man Ray Of Light Rays Of Light Satan William Blake Graphic Design Old Testament


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > D > Devil Ray

> Arts > Artists > B > William Blake

> Arts > Artists > R > Man Ray

> Arts > Artists > W > William White

> Arts > Literature > Illustration

> Arts > Literature

> Europe > United Kingdom > England > London > Sights > British Museum


EDITORS COMMENTS
This print titled "Satan Going Forth from the Presence of the Lord" transports us back to 19th century Britain, where artist William Blake's imagination comes to life. The image is an engraving from his series of illustrations for the Book of Job, a biblical tale that explores themes of suffering, faith, and divine justice. In this particular scene, we witness Satan himself departing from the presence of God. Blake's graphic design skills are evident in every detail - from the intricate lettering to the play between light and darkness. A ray of light pierces through the somber atmosphere, illuminating Satan as he falls into evil and rebellion against his creator. The nakedness of both Satan and an old man nearby symbolizes vulnerability and exposes their true nature. As viewers, we are confronted with questions about good versus evil, free will versus divine intervention. Blake's artistic genius shines through in this thought-provoking illustration. His unique interpretation challenges traditional concepts surrounding religion while showcasing his mastery over line work and composition. Displayed at The Met museum today, this piece serves as a testament to Blake's enduring legacy in both artistry and literature. It invites us to delve deeper into profound theological debates while appreciating the skillful craftsmanship behind each stroke on paper.

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