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San Giobbe Altarpiece, c1478 (1870). Artist: Franz Kellerhoven
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San Giobbe Altarpiece, c1478 (1870). Artist: Franz Kellerhoven
San Giobbe Altarpiece, c1478 (1870). Found in the collection of the Gallerie dell Accademia, Venice. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870
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Media ID 14950629
© The Print Collector / Heritage-Images
Altarpiece Bellini Benediction Blessing Chromolithograph Franz Franz Kellerhoven Gesture Giovanni Giovanni Bellini Halo Kellerhoven Lutanist Lute Lute Player Lutenist Mantz Martyr Martyrdom Monk Monks Paul Paul Mantz Print Collector12 Saint Mary Saint Sebastian Saint Sebastien Sebastian St Mary St Sebastian St Sebastien Stella Maris Stringed Instrument The Virgin Mary Throne Venetian Virgin And Child Virgin Mother Mother Of God
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EDITORS COMMENTS
This print showcases the magnificent "San Giobbe Altarpiece" created by Franz Kellerhoven in 1870. The altarpiece, originally painted in the late 15th century by Giovanni Bellini, is a true masterpiece of Italian painting. It can be found today at the prestigious Gallerie dell Accademia in Venice. The image captures a moment of profound religious significance as the Virgin Mary tenderly cradles her son Jesus Christ on her lap. Both figures are depicted with vibrant colors and adorned with halos, symbolizing their divine nature. The artist skillfully portrays the bond between mother and child through their gentle gestures and loving expressions. Surrounding them are various male figures, including saints and monks, who pay homage to this sacred scene. One particularly striking figure is Saint Sebastian, portrayed as a martyr holding a lute-like musical instrument known as a lutanist. The composition exudes an atmosphere of serenity and devotion that transports viewers back to medieval Italy during the Renaissance period. The altarpiece's intricate details and meticulous brushwork highlight Bellini's mastery as an artist. This print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz allows art enthusiasts to appreciate this remarkable artwork even if they cannot visit it in person. It serves as a testament to the enduring power of religious art and its ability to inspire contemplation and reverence across centuries.
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