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Richard refuses to look upon the Holy City, 1192 (1864). Artist: James William Edmund Doyle
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Richard refuses to look upon the Holy City, 1192 (1864). Artist: James William Edmund Doyle
Richard refuses to look upon the Holy CIty, 1864. King Richard I (8 September 1157 - 6 April 1199) refuses to look upon the Holy City, having failed to conquer it. From A Chronicle of England B.C. 55 - A.D. 1485 by James E. Doyle. [Longman, Green, Longman, Roberts & Green, London, 1864]
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Media ID 14990727
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Action Chronicle Of England Crusades Doyle Edge Israel James Doyle James William Edmund James William Edmund Doyle Jerusalem King Of England King Of England Lionheart King Richard I Longman Longman Co Palm Tree Refusal Refusing Richard Coeur De Lion Richard I Richard L Richard The Lionheart Roberts Green Third Crusade
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EDITORS COMMENTS
In this print titled "Richard refuses to look upon the Holy City, 1192" we are transported back in time to witness a pivotal moment in history. Created by the talented artist James William Edmund Doyle in 1864, the artwork depicts King Richard I of England (also known as Richard the Lionheart) standing resolute on horseback at the edge of Jerusalem. The scene is filled with a sense of grandeur and significance as Richard, adorned in regal attire, gazes away from the magnificent Holy City that he had failed to conquer during his reign. The lush green landscape and towering palm trees surrounding him add an air of tranquility amidst this historical turmoil. Doyle's masterful engraving captures not only the physicality of Richard but also his inner conflict and refusal to accept defeat. This portrayal highlights both his determination as a leader and his unwavering commitment to his Christian faith. As we delve into this mesmerizing image, we are reminded of the rich tapestry of medieval history and its impact on religious conflicts between nations. Through Doyle's skillful use of color and composition, he transports us back to a defining moment during the Third Crusade when kingdoms clashed for control over sacred lands. This remarkable print serves as a testament to both artistic prowess and historical documentation, allowing us to glimpse into a chapter from our past that continues to shape our present.
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