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A Prince and a Poltroon, 1789

A Prince and a Poltroon, 1789


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A Prince and a Poltroon, 1789

A Prince and a Poltroon, 1789. The Prince of Wales (the future King George IV). Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston (pseudonym of Emily Morse Symonds], (London, 1905)

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Media ID 14917420

© The Print Collector / Heritage-Images

Emily Morse Emily Morse Symonds Firing George Iv George Paston King George Iv King Of Great Britain Paston Pistol Prince Of Wales Prince Regent Prinnie Prinny Shooting Symonds Tricorn Tricorne Coward Cowardice


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> Arts > Artists > P > George Prince

> Arts > Artists > W > George White

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > Wales > Posters


A Prince and a Poltroon, 1789

EDITORS COMMENTS
is an intriguing print that captures the essence of the 18th century British society. The image showcases the Prince of Wales, who would later become King George IV, in a satirical caricature. Dressed in royal attire with his tricorn hat perched upon his head, he holds a pistol as if ready for battle. The concept behind this illustration revolves around cowardice and portrays the prince as a poltroon - someone lacking courage or bravery. The artist's intention was to use satire to comment on the prince's character and actions during that time period. The monochrome setting adds depth to the image, emphasizing both its historical significance and artistic value. It serves as a reminder of warfare prevalent during the eighteenth century when weapons like guns were commonly used. This print not only provides insight into the political climate of Britain but also highlights how social caricatures played an important role in shaping public opinion. It offers viewers an opportunity to delve into history while appreciating George Paston's skillful illustrations. As we gaze at this piece, we are transported back in time to witness a moment frozen forever - one that encapsulates both power and vulnerability within royalty.

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