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Portrait of the Emperor Maximilian, 1518. Artist: Hans Burgkmair, the Elder
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Portrait of the Emperor Maximilian, 1518. Artist: Hans Burgkmair, the Elder
Portrait of the Emperor Maximilian, 1518. Maximilian I (1459-1519), the son of Frederick III, Holy Roman Emperor, and Eleanor of Portugal, was King of the Romans from 1486 and Holy Roman Emperor from 1508 until his death. From The Print-Collectors Handbook, by Alfred Whitman. [George Bell & Sons, London, 1901]. (Colorised black and white print)
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Media ID 14994590
© The Print Collector
Alfred Alfred Whitman Burgkmair Caparison Colorised Colourised Emperor Maximilian George Bell George Bell Sons Grandeur Hans Hans Burgkmair Hans Burgkmair The Elder Holy Roman Emperor Holy Roman Empress Kaiser Maximilian King Maximilian Maximilian I Print Collectors Handbook Proud Sons The Elder Whitman
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EDITORS COMMENTS
This colorized print showcases the regal and powerful presence of Emperor Maximilian I, as captured by artist Hans Burgkmair the Elder in 1518. The portrait depicts a man of great stature and authority, mounted on a majestic horse with an air of grandeur. Clad in royal armor, Maximilian exudes pride and confidence as he sits atop his steed. The image transports us back to the 16th century, a time marked by warfare and political intrigue. Maximilian's position as Holy Roman Emperor is evident through his attire and the symbolism surrounding him. The carefully crafted woodcut brings out every intricate detail, highlighting both the artistic skill of Burgkmair and the importance of this historical figure. Published in Alfred Whitman's "Print-Collectors Handbook" in London during the early 20th century, this colorized version breathes new life into an already remarkable piece of art. By adding vibrant hues to what was originally a black-and-white print, it allows viewers to better appreciate the richness and splendor that characterized Maximilian's reign. Whether one is drawn to history or simply captivated by beautiful artwork, this portrait offers a glimpse into an era long past. It serves as a testament to both Maximilian's legacy as well as Burgkmair's talent for capturing not just physical likeness but also conveying power and nobility through artistry.
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