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At New Norcia, 1901. Creator: Unknown

At New Norcia, 1901. Creator: Unknown


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At New Norcia, 1901. Creator: Unknown

At New Norcia, 1901. In March 1846, a Benedictine mission was led by Rosendo Salvado and Joseph Serra. In March 1847 the foundation stone of the monastery was laid and named New Norcia, after Norcia in Italy, the birthplace of St Benedict. From " Federated Australia". [The Werner Company, London, 1901]

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Media ID 19174683

© The Print Collector/Heritage Images

Association Australia Australia Oceania Australian Benedictine Commonwealth Of Australia Federated Australia Federation Missionary Monastery Monk Monks Oceania Werner Company Western Australia Black Colour Serra


FEATURES IN THESE COLLECTIONS

> Architecture > Country > Australia

> Architecture > Country > Italy > Related Images

> Architecture > Country > Spain

> Architecture > Religious

> Architecture > Styles > Colonial Architecture

> Arts > Portraits > Black and white portraits > Fine art portraits

> Europe > Italy > Related Images

> Europe > Spain > Related Images

> Europe > United Kingdom > England > London > Related Images

> Oceania > Australia > Related Images


EDITORS COMMENTS
This print takes us back to the year 1901, capturing a moment in time at New Norcia, Western Australia. The creator of this remarkable image remains unknown, but their lens has beautifully preserved the essence of this historic place. New Norcia was established in March 1847 as a Benedictine mission led by Rosendo Salvado and Joseph Serra. Named after Norcia in Italy, the birthplace of St Benedict, this monastery holds deep religious significance. The building's exterior is captured with striking detail against the backdrop of an Australian day. In this portrait-like composition, we see a group of men standing outside the monastery. These are likely monks who dedicated their lives to spreading Christianity and carrying out missionary work in Australia during colonial times. Their presence adds depth to our understanding of New Norcia's history and purpose. The architectural beauty of the building facade is evident even in black and white tones. It stands as a testament to colonialism and serves as a symbol for both religious devotion and cultural heritage within Australia Oceania. As we gaze upon this photograph from over a century ago, we are transported into another era - one where faith intertwined with exploration and settlement. This image not only captures an important historical moment but also invites contemplation on the impact that religion had on shaping early Australian society.

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