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Living room in the Cafritz residence in Georgetown, Nr. Washington D. C. 1942
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Living room in the Cafritz residence in Georgetown, Nr. Washington D. C. 1942
Living room in the Cafritz residence in Georgetown, Nr. Washington D.C. USA, decorated by Eugene Schoen in ice-blue, grey and lemon, 1942. Mural by Durenceau, hangings by Morton Sundour, and floor covered with Mohawk carpet. From Decorative Art 1942 - The Studio Year Book, edited by C. G. Holme. [The Studio Ltd. London, 1942]
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Media ID 15465224
© The Print Collector / Heritage-Images
Andre C G Holme Décor Drawing Room Eugene Geoffrey Geoffrey Holme Holme Living Room Mural Retro Schoen Seat Settee Sitting Room Sofa Style
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Step into the Timeless Elegance - A Glimpse of the Cafritz Residence in Georgetown, 1942
EDITORS COMMENTS
. This photograph captures a moment frozen in time - the living room of the prestigious Cafritz residence in Georgetown, Nr. Washington D. C. , beautifully decorated by Eugene Schoen in 1942. The room exudes sophistication and charm with its exquisite ice-blue, grey, and lemon color scheme. The attention to detail is evident as your eyes are drawn to the stunning mural created by Andre Durenceau adorning one wall. Its intricate design adds depth and character to this already enchanting space. Morton Sundour's hangings gracefully frame large windows that allow natural light to cascade into the room, illuminating every carefully chosen piece of furniture. A sense of nostalgia fills the air as you take in each element meticulously placed within this interior oasis. The Mohawk carpet covering the floor invites you to sink your feet into its plush fibers while exploring further. As you settle on a sumptuous sofa or settee designed for comfort without compromising style, it becomes apparent that this living room was crafted with both functionality and aesthetics in mind. It effortlessly blends retro elements from an era gone by with timeless elegance that transcends decades. This remarkable print from Decorative Art 1942 - The Studio Year Book serves as a window into an era where interior design was elevated to an art form. It allows us to appreciate not only Eugene Schoen's impeccable taste but also
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