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Kee-mo-ra-nia, No English, a Dandy, 1830. Creator: George Catlin
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Kee-mo-ra-nia, No English, a Dandy, 1830. Creator: George Catlin
Kee-mo-ra-nia, No English, a Dandy, 1830
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Media ID 21233402
© Heritage Art/Heritage Images
Catlin George Face Paint Feather Feathers George Catlin George Wilkes Barre Hand Mirror Mirror Smithsonian American Art Museum Wampum Peoria Tracker
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Kee-mo-ra-nia, No English, a Dandy - A Glimpse into Indigenous Identity in 19th Century America
EDITORS COMMENTS
. In this oil painting by George Catlin, titled "Kee-mo-ra-nia, No English, a Dandy" we are transported to the vibrant world of Native American culture during the early 1830s. The portrait showcases an indigenous boy named Kee-mo-ra-nia who exudes confidence and curiosity. Dressed in traditional clothing adorned with feathers and wampum beads, Kee-mo-ra-nia stands proudly before us. His direct gaze captures our attention as he holds a hand mirror delicately in his hand – a symbol of self-reflection and perhaps even education within his community. Catlin's meticulous brushstrokes bring out the rich blue hues of Kee-mo-ra-nia's coat while highlighting the intricate face paint that signifies his tribal heritage. As one of Catlin's many subjects from various tribes across America, this portrait serves as an invaluable record of Native American life during this transformative period. Through this artwork, we catch a glimpse into not only Kee-mo-ra-nia's occupation as a tracker but also his role as an ambassador for his people. This painting is now part of the esteemed collection at Smithsonian American Art Museum - a testament to its significance in preserving our nation's diverse cultural history. George Catlin masterfully captures both the individuality and collective spirit of Native Americans through his artistry
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