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The Infanta Don Margarita de Austria, c1660. Artist: Diego Velazquez

The Infanta Don Margarita de Austria, c1660. Artist: Diego Velazquez


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The Infanta Don Margarita de Austria, c1660. Artist: Diego Velazquez

The Infanta Don Margarita de Austria, c1660. Velazquez began this painting in the year of his death, it was finished and partly transformed by his son-in-law, Juan Battista Martinez del Mazo

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Media ID 14867634

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Bodice Bouquet Curtain Diego Diego Rodr Guez De Silva Diego Rodríguez De Silva Y Velázquez Diego Velazquez Mazo


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The Infanta Don Margarita de Austria, c1660

EDITORS COMMENTS
is a captivating portrait captured by the renowned Spanish artist Diego Velazquez. This exquisite print showcases the delicate beauty of a young girl, identified as the Infanta Don Margarita de Austria. Painted during the 17th century, this masterpiece reflects the artistic brilliance of Velazquez. The subject is depicted in an opulent setting, adorned with vibrant colors and intricate details. The richly textured curtain serves as a backdrop to highlight her youthful innocence and regal presence. Dressed in an elegant bodice and flowing dress, she exudes grace and poise beyond her years. A striking bouquet held delicately in her hands adds a touch of femininity to the composition while symbolizing youthfulness and vitality. Every brushstroke reveals Velazquez's mastery in capturing not only physical likeness but also inner emotions. Interestingly, this painting was left unfinished at the time of Velazquez's death but was later completed by his son-in-law Juan Battista Martinez del Mazo. Through their collaboration, we witness two exceptional artists coming together to create an enduring work of art that has stood the test of time. This remarkable print offers viewers a glimpse into 17th-century Spain and its aristocratic society while celebrating both artistic talent and familial collaboration. It serves as a testament to Diego Velazquez's genius as well as his lasting influence on European portraiture for generations to come.

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