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Hannedouche. Francois. 31 ans, ne a Lilleris (Pas de Calais)

Hannedouche. Francois. 31 ans, ne a Lilleris (Pas de Calais)


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Hannedouche. Francois. 31 ans, ne a Lilleris (Pas de Calais)

Hannedouche. Francois. 31 ans, ne a Lilleris (Pas de Calais). Peintre en batiments. Anarchiste. 1/1/93. 1893

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Media ID 20137230

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Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Mustache Painter And Decorator Physical Anthropology Albumen Silver Print House Painter


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> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Street art graffiti > Portraits > Portrait photography

> Europe > France > Canton > Pas de Calais

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Politics


EDITORS COMMENTS
This photo print, titled "Hannedouche. Francois. 31 ans, ne a Lilleris (Pas de Calais)" captures the essence of an intriguing character from the late 19th century. Taken by renowned photographer Alphonse Bertillon, this albumen silver print showcases the arresting portrait of Francois Hannedouche. At first glance, one cannot help but notice his striking facial hair - a thick and meticulously groomed mustache that adds to his enigmatic allure. With his piercing gaze and rugged features, Hannedouche exudes an air of defiance and rebellion. The inscription reveals that he was a painter in buildings by profession but also identifies him as an anarchist. This detail sheds light on his political leanings during a time when anarchism was gaining momentum as a radical movement challenging societal norms. Bertillon's expertise in anthropometry is evident in this mugshot-style photograph; every detail meticulously captured for identification purposes. The image serves as both documentation of criminal activity and a testament to the early days of scientific advancements in physical anthropology. Displayed at The Metropolitan Museum of Art, this piece represents not only historical significance but also artistic excellence through its composition and use of contrast between light and shadow. As we gaze upon this thought-provoking image, we are transported back to a tumultuous era where politics clashed with tradition, leaving us intrigued by the story behind Francois Hannedouche's arrest and how it shaped his place within French society at that

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