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Giuseppe Garibaldi trying to persuade Pope Pius IX, 1860. Artist: John Tenniel
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Giuseppe Garibaldi trying to persuade Pope Pius IX, 1860. Artist: John Tenniel
Giuseppe Garibaldi (1807-82) trying to persuade Pope Pius IX that the Cap of Liberty would be far more comfortable than the Papal crown, 1860. John Tenniel cartoon from Punch, London, 29 September 1860. Wood engraving
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Media ID 14840110
© Ann Ronan Picture Library / Heritage-Images
Discussing Discussion Garibaldi Giovanni Maria Giovanni Maria Mastai Ferretti Giuseppe Giuseppe Garibaldi John Tenniel Mastai Ferretti Pius Ix Pope Pope Pius Ix Regalia Sir John Tenniel Tenniel Unification Unification Of Italy Ann Ronan Pictures Nationhood Roman Catholicism Wood Engraving
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EDITORS COMMENTS
In this photo print, we witness a fascinating encounter between two influential figures of the 19th century: Giuseppe Garibaldi and Pope Pius IX. The renowned artist John Tenniel skillfully captures the essence of their meeting in this wood engraving from Punch magazine. The scene unfolds as Garibaldi, a general and key figure in the unification of Italy, attempts to persuade Pope Pius IX to embrace change. With his characteristic charisma, Garibaldi humorously suggests that the Cap of Liberty would be far more comfortable than the weighty Papal crown traditionally worn by Catholic monarchs. This cartoon serves as a powerful satire on religion and politics during that era. It highlights the ongoing tension between secular nationalism and religious authority. Tenniel's intricate portrayal showcases his talent for caricature, capturing both men's distinct features while conveying their opposing perspectives through subtle facial expressions. As we delve into this thought-provoking image, it prompts us to reflect on themes such as power dynamics, nationhood, and religious influence within society. This historical snapshot encapsulates an important moment in time when Italy was striving for unity under one sovereign rule. Through this remarkable print by Giuseppe Garibaldi himself alongside John Tenniel's artistic vision, we are transported back to a pivotal period where discussions about faith and governance shaped nations' destinies.
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