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The Death of the First Born, 1872 (c1880-1882). Artist: A Mongin
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The Death of the First Born, 1872 (c1880-1882). Artist: A Mongin
The Death of the First Born, 1872 (c1880-1882). The last of the plagues of Egypt. The Pharaoh holds his dead son. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882
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Media ID 14925254
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Alma Tadema Anguish Bible Scene Dead Despair Distraught Exodus Father Fatherhood Firstborn Grief Griefstricken Grieving Horrified Horror Jewish Judaism Laurens Alma Tadema Lawrence Lawrence Alma Tadema Pharaoh Plagues Of Egypt Print Collector9 Punishment Sadness Sir Lawrence Sir Lawrence Alma Tadema Sorrow Old Testament
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EDITORS COMMENTS
The Death of the First Born, 1872 (c1880-1882) captures a haunting biblical scene from ancient Egypt. In this powerful print, artist A Mongin and Sir Lawrence Alma-Tadema depict the devastating final plague that struck Egypt during the time of Moses. The Pharaoh, consumed by anguish and despair, holds his lifeless son in his arms. The image portrays the depths of grief and horror experienced by both father and nation as they face divine punishment for their refusal to release the Israelites from slavery. The sorrow etched on the faces of those surrounding them reflects a collective mourning for the loss of innocent lives. Through intricate details and masterful use of monochrome tones, A Mongin skillfully conveys an atmosphere filled with sadness and desolation. The composition emphasizes not only personal tragedy but also larger themes such as family bonds, religious beliefs, and political power. This print serves as a poignant reminder of human vulnerability in the face of divine retribution. It invites viewers to reflect upon their own actions and choices while contemplating universal concepts such as justice, faith, and redemption. As we gaze upon this artwork from late 19th-century Britain, we are transported back in time to witness a pivotal moment in history – one that continues to resonate with audiences today.
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