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Double-page frontispiece from a Khamsa (Quintet) by Amir Khusraw Dihlavi, Tabriz, Iran
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Double-page frontispiece from a Khamsa (Quintet) by Amir Khusraw Dihlavi, Tabriz, Iran
FSG348704 Double-page frontispiece from a Khamsa (Quintet) by Amir Khusraw Dihlavi, Tabriz, Iran, Safavid period, 1530-40 (opaque watercolour, ink and gold on paper) by Persian School, (16th century); 30.2 x 18.3 cm; Arthur M. Sackler Gallery, Smithsonian Institution, USA; (add.info.: Abu l-Fath Bahram Mirza; ); Arthur M. Sackler Gallery, Smithsonian Institution; Smithsonian Unrestricted Trust Funds, Smithsonian; Persian, out of copyright
Media ID 22948324
© Arthur M. Sackler Gallery, Smithsonian Institution Smithsonian Unrestricted Trust Funds, Smithsonian / Bridgeman Images
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This double-page frontispiece from a Khamsa (Quintet) by Amir Khusraw Dihlavi transports us to the rich artistic world of 16th century Tabriz, Iran. Created during the Safavid period, this exquisite piece showcases the mastery of the Persian School. Measuring at 30.2 x 18.3 cm, this print is a true testament to the skill and precision of its creators. Using opaque watercolor, ink, and gold on paper, every stroke and detail has been carefully crafted to create a mesmerizing visual experience. The intricate patterns and illuminations that adorn this artwork are nothing short of breathtaking. They draw our eyes inwards towards Abu l-Fath Bahram Mirza - an enigmatic figure whose presence adds depth and intrigue to this composition. Housed in the Arthur M. Sackler Gallery at the Smithsonian Institution in Washington D. C. , USA, this print serves as a reminder of how art can transcend time and space. It allows us to appreciate not only its aesthetic beauty but also provides insight into historical narratives and cultural traditions. As we gaze upon this remarkable piece from Bridgeman Images' Fine Art Finder collection, we are reminded of the power that art holds - it connects us with distant lands and eras while evoking emotions within our own hearts.
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