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Les saints Boris et Gleb. (Freres assassines entre 1015 et 1019, ils sont les premiers saints de Russie, canonises en 1071). Peinture de Nicolas (Nicholas) Roerich (1874-1947), teampera sur toile, 1942. Art russe 20e siecle, symbolisme
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Les saints Boris et Gleb. (Freres assassines entre 1015 et 1019, ils sont les premiers saints de Russie, canonises en 1071). Peinture de Nicolas (Nicholas) Roerich (1874-1947), teampera sur toile, 1942. Art russe 20e siecle, symbolisme
FIA5369564 Les saints Boris et Gleb. (Freres assassines entre 1015 et 1019, ils sont les premiers saints de Russie, canonises en 1071). Peinture de Nicolas (Nicholas) Roerich (1874-1947), teampera sur toile, 1942. Art russe 20e siecle, symbolisme. State Russian Museum, Saint Petersbourg. by Roerich, Nicholas (1874-1947); State Russian Museum, St. Petersburg, Russia; Photo © Fine Art Images
Media ID 24742066
© Fine Art Images / Bridgeman Images
11 11th Xi Xith Century Aureola Rowboat Santo
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EDITORS COMMENTS
The print captures a mesmerizing painting by Nicholas Roerich titled "Les saints Boris et Gleb". Created in 1942, this masterpiece belongs to the Russian art movement of the 20th century and is characterized by its symbolic elements. The artwork depicts two figures, Boris and Gleb, who were brothers assassinated between 1015 and 1019. They hold significant historical importance as they were the first saints canonized in Russia in 1071. Roerich's use of tempera on canvas brings out vibrant colors that beautifully contrast with the serene landscape surrounding the scene. The composition showcases a rowboat floating gracefully on a tranquil lake, illuminated by an ethereal light that seems to emanate from an aureola above Boris and Gleb's heads. This painting not only reflects Roerich's mastery of technique but also his deep understanding of religious symbolism. The artist skillfully portrays these martyred brothers as saintly figures, emphasizing their spiritual significance within Russian culture. Housed at the State Russian Museum in Saint Petersburg, this artwork stands as a testament to Roerich's contribution to both Russian art history and religious iconography. It serves as a reminder of the rich cultural heritage that has shaped Russia throughout centuries while showcasing Roerich's unique artistic vision. Overall, this print encapsulates an extraordinary piece of art that combines historical narrative with spiritual symbolism, inviting viewers into a world where color meets spirituality in perfect harmony.
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