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Fourth crusade, 1204: scene of looting in Constantinople after the capture of the city. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century
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Fourth crusade, 1204: scene of looting in Constantinople after the capture of the city. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century
XEE4409284 Fourth crusade, 1204: scene of looting in Constantinople after the capture of the city. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century. by Moreau, Jean Michel the Younger (1741-1814); Private Collection; (add.info.: Fourth crusade, 1204: scene of looting in Constantinople after the capture of the city. Engraving by Jean Michel Moreau, dit Moreau le Jeune (1741- 1814), 18th century.); Stefano Bianchetti
Media ID 25904148
© Stefano Bianchetti / Bridgeman Images
4th Crusade 1202 1204 Constantinople Crusade Crusader Crusaders Crusades Fourth Crusade Looting The Crusades Turkish Culture Central Turkey Collection Lemage Turk
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EDITORS COMMENTS
This engraving by Jean Michel Moreau, known as Moreau le Jeune, depicts the aftermath of the Fourth Crusade in 1204. The scene showcases the devastating looting that took place in Constantinople after its capture by the crusaders. The intricately detailed print transports us to a chaotic street scene filled with violence and destruction. Turkish inhabitants are seen fleeing for their lives as French crusaders rampage through the city, seizing valuable treasures and causing mayhem. The artist's skillful use of shading and line work brings an eerie sense of realism to this historical moment. Moreau's engraving serves as a powerful reminder of the brutality that often accompanied medieval conquests. It captures both the ruthlessness of war and its impact on innocent civilians caught in its path. This artwork is not only a testament to Moreau's talent as an engraver but also offers valuable insights into European history and Middle Eastern culture during this turbulent period. It sheds light on the complex dynamics between East and West, highlighting how religious fervor can be twisted into acts of violence. Stefano Bianchetti has preserved this significant piece in his private collection, allowing us to reflect upon our shared human history while contemplating the consequences of warfare throughout time.
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