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Native Entertainment to European Troops at Bombay (engraving)
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Native Entertainment to European Troops at Bombay (engraving)
1609375 Native Entertainment to European Troops at Bombay (engraving) by English School, (19th century); Private Collection; (add.info.: Native Entertainment to European Troops at Bombay. Illustration for The Illustrated London News, 20 February 1858.
English School (19th Century)); Look and Learn / Illustrated Papers Collection
Media ID 23003692
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Bombay City Of Bombay Drawn Mumbai Triumphal Arches Inida Shire Horse Stallions
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EDITORS COMMENTS
This engraving, titled "Native Entertainment to European Troops at Bombay" captures a vibrant scene from 19th century India. The image showcases the cultural exchange between European troops and the local population in Bombay (now Mumbai). The focal point of the print is a grand procession, with triumphal arches adorning the streets. A diverse array of animals can be seen, including majestic horses, ponies, racehorses, and even a shire horse. These magnificent creatures symbolize both transportation and entertainment for the troops. The lively atmosphere depicted in this artwork highlights the harmonious interaction between different cultures. Indian locals are shown engaging with their European counterparts through various forms of entertainment. This portrayal reflects an appreciation for Indian culture within British colonial society. Through this engraving, we catch a glimpse into daily life during that era in Bombay. It serves as a testament to the rich history and diversity of this bustling city. The attention to detail in capturing not only human figures but also wildlife adds depth and authenticity to this piece. As we admire this historical artwork today, it reminds us of the importance of cultural exchange and understanding across nations. It invites us to appreciate how art can bridge gaps between different communities by showcasing shared experiences and celebrating diversity.
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