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Helene Jegado mixing poison with her victims food (engraving)
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Helene Jegado mixing poison with her victims food (engraving)
3635160 Helene Jegado mixing poison with her victims food (engraving) by English School, (19th century); Private Collection; (add.info.: Helene Jegado mixing poison with her victims food. Illustration for Mysteries of Police and Crime by Arthur Griffiths (Cassell, c 1898). Digitally cleaned image.); © Look and Learn
Media ID 23126824
© Look and Learn / Bridgeman Images
Criminals Mixing Poison Police Victims
EDITORS COMMENTS
This engraving, titled "Helene Jegado mixing poison with her victims' food" transports us back to the dark underbelly of 19th-century crime. The image depicts a chilling scene where Helene Jegado, a notorious criminal and serial poisoner, is seen meticulously preparing her lethal concoctions. The artist from the English School masterfully captures the tension and secrecy surrounding Jegado's sinister activities. With an air of calculated malevolence, she carefully measures out poisonous substances while surreptitiously blending them into unsuspecting victims' meals. This haunting portrayal serves as a visual testament to the depths of human depravity. The print itself originates from Arthur Griffiths' gripping book "Mysteries of Police and Crime" published around 1898. It offers readers a glimpse into the macabre world of criminals like Helene Jegado who used their culinary skills for nefarious purposes. As we delve into this historical artifact, it becomes evident that this image not only sheds light on one individual's heinous acts but also provides insight into broader themes such as crime, police investigations, and social history. Its inclusion in private collections underscores its significance as both an artistic representation and a valuable historical document. Thanks to Bridgeman Images' digital restoration efforts, we can now appreciate this engraving in all its intricate details without any distractions or blemishes. Through this evocative artwork, we are reminded of humanity's capacity for darkness while simultaneously marveling at our collective fascination
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