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The Vultures, from The Light Side of Egypt, 1908 (colour litho)

The Vultures, from The Light Side of Egypt, 1908 (colour litho)


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The Vultures, from The Light Side of Egypt, 1908 (colour litho)

STC361028 The Vultures, from The Light Side of Egypt, 1908 (colour litho) by Thackeray, Lance (fl.1901 d.1916); Private Collection; The Stapleton Collection; British, out of copyright

Media ID 22947458

© The Stapleton Collection / Bridgeman Images

Arabic Colonialist Dragoman Guide Guides Hotel Monocle Steps Stick Tarboosh Tourism Tourist Waiting


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> Animals > Birds > Accipitriformes > Accipitridae > Egyptian Vulture

> Fine Art Finder > Artists > English Photographer

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> Fine Art Finder > North Africa & Egypt


EDITORS COMMENTS
This print titled "The Vultures, from The Light Side of Egypt" takes us back to the year 1908, offering a glimpse into the colonial era in Egypt. The image showcases a group of tourists eagerly waiting on the steps of an elegant hotel, accompanied by their knowledgeable dragoman or guide. Dressed in traditional Arabic attire such as fez hats and turbans, these visitors are immersed in the rich culture and history of this ancient land. One cannot help but notice the striking figure at the forefront - a distinguished gentleman sporting an Edwardian-style monocle and holding a cane with authority. He embodies the essence of colonialism, representing power and control over foreign territories during that time. As we delve deeper into this photograph's narrative, it becomes evident that tourism played a significant role in shaping perceptions about Egypt among Westerners. These travelers sought adventure and enlightenment through guided tours led by locals who possessed extensive knowledge about Egyptian customs and landmarks. "The Vultures" not only captures a moment frozen in time but also serves as a reminder of how colonialist attitudes influenced travel experiences during this period. It invites us to reflect upon our own understanding of cultural exchange and raises questions about representation, power dynamics, and historical context. This remarkable piece from Thackeray's collection is now part of The Stapleton Collection housed within a private collection – preserving its historical significance for generations to come.

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