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The Festival of St. Swithin or The Dovecote, 1866-75 (oil on canvas)

The Festival of St. Swithin or The Dovecote, 1866-75 (oil on canvas)


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The Festival of St. Swithin or The Dovecote, 1866-75 (oil on canvas)

AMO98772 The Festival of St. Swithin or The Dovecote, 1866-75 (oil on canvas) by Hunt, William Holman (1827-1910); 73x91 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Media ID 22666432

© Ashmolean Museum / Bridgeman Images

Colombier Dove Pigeon Pigeon House Westernart Pigeonnier Pre Raphaelite


FEATURES IN THESE COLLECTIONS

> Animals > Birds > Columbiformes > Doves > Related Images

> Animals > Birds > Columbiformes > Pigeons > Related Images

> Animals > Birds > Pigeon

> Arts > Artists > D > Cornelis Jacobsz Delff

> Arts > Artists > H > William Holman Hunt

> Arts > Fine Art

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Cornelis Jacobsz Delff

> Fine Art Finder > Artists > William Holman Hunt

> Fine Art Finder > Birds


EDITORS COMMENTS
The Festival of St. Swithin or The Dovecote, painted by William Holman Hunt in 1866-75, captures a mesmerizing scene that transports viewers to a quaint English countryside. This oil on canvas masterpiece, measuring 73x91 cm, is housed in the prestigious Ashmolean Museum at the University of Oxford. In this enchanting painting, Hunt skillfully depicts the annual celebration of St. Swithin's Day at a picturesque dovecote. The vibrant colors and meticulous attention to detail bring life to every element within the composition. A flock of graceful pigeons gracefully takes flight from their cozy pigeon house as they soar through the sky with an air of freedom and tranquility. The artist's affiliation with the Pre-Raphaelite movement is evident in his precise rendering of nature and his focus on capturing intricate details. Each feathered creature is meticulously portrayed, showcasing Hunt's dedication to realism while infusing it with a touch of romanticism. This artwork not only showcases Hunt's technical mastery but also invites contemplation about our connection with nature and its inhabitants. As we gaze upon this stunning piece, we are reminded of our own desire for liberation and harmony within our surroundings. As one explores 'The Festival of St. Swithin or The Dovecote, ' it becomes clear why this work has become an iconic representation within Western art history.

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