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Last Judgement, detail (fresco)
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Last Judgement, detail (fresco)
3736127 Last Judgement, detail (fresco) by Procaccini, Camillo (c.1560-1629); Chiesa di San Prospero, Reggio Emilia, Emilia Romagna, Italy; (add.info.: Basilica di San Prospero, abside: " Giudizio finale", affresco di Camillo Procaccini (1585 - 1587). Particolare.); Ghigo Roli
Media ID 25191196
© Ghigo Roli / Bridgeman Images
Apse Damned Frescoes Heaven Hell Last Judgement Paradise Purgatory Resurrection Saved Second Coming Sinners Sorrow
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EDITORS COMMENTS
This print captures a mesmerizing detail of the Last Judgement fresco by Camillo Procaccini. Located in the Chiesa di San Prospero in Reggio Emilia, Italy, this masterpiece adorns the basilica's apse and depicts the profound moment of divine judgment. In this particular section of the fresco, we witness an intricate portrayal of both heaven and hell. The artist skillfully illustrates sinners tormented in hell while angels rejoice alongside saved souls in paradise. The scene evokes a powerful sense of sorrow for those condemned and hope for those redeemed. Procaccini's work showcases his remarkable talent as he brings to life various emotions through his brushstrokes. The level of detail is awe-inspiring, with each figure meticulously rendered to convey their anguish or bliss. The Last Judgement serves as a reminder of our mortality and the consequences that await us after death. It symbolizes the second coming and resurrection, highlighting humanity's eternal struggle between good and evil. As we gaze upon this photo print, we are transported back to 16th-century Italy, where art flourished during a time marked by religious fervor. It is a testament to Procaccini's contribution to Italian Renaissance painting and his ability to capture such complex themes on canvas. Bridgeman Images has beautifully preserved this historical artwork through their meticulous reproduction process. This print allows us to appreciate every minute detail from Procaccini's original masterpiece without leaving our own homes.
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