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Of disordred loue and veneryous, illustration from Alexander Barclays English
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Of disordred loue and veneryous, illustration from Alexander Barclays English
XJF486405 Of disordred loue and veneryous, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School, (15th century) (after); Private Collection; (add.info.: Alexander Barclay (c.1476-1552) Scottish born English poet, translated Sebastian Brandts (1457-1521) Das Narrenschiff, as The Ship of Fools in 1509. Image is a facsimile of the original German woodcut of 1497 and shows a female figure leading a donkey, a cupid and a group of fools. The foolishness of being blinded by love.); German, out of copyright
Media ID 12913480
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1497 1509 Alexander Barclay Blinded Brandt Brandts Cupid Fool Foolish Foolishness Fools Lead Leading Monkey Narrenschiff Sebastian Tether Tethered Translation Veneration Venus Vice Vices Winged Loue Venerating
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This print captures the essence of "Of disordred loue and veneryous" an illustration from Alexander Barclays English translation of The Ship of Fools. Published in 1874, this engraving is a facsimile of the original German woodcut from 1497. The image portrays a thought-provoking allegory, depicting a female figure leading a donkey, accompanied by Cupid and a group of fools. The symbolism within this artwork speaks volumes about the foolishness that can arise from being blinded by love. The woman represents Venus, the goddess of love, with her wings symbolizing both angelic beauty and vulnerability. Tethered to her side is a donkey or ass, representing folly and ignorance. Cupid's presence suggests that even love itself can be misguided and lead us astray. Meanwhile, the group of fools surrounding them serves as a reminder that irrationality often accompanies matters of the heart. Intriguingly, other elements such as an angel with skeletal wings and a mischievous monkey further emphasize the theme of folly present throughout this piece. Overall, this illustration offers viewers an opportunity for introspection on their own experiences with disordered love and veneration. It reminds us to approach matters of affection with caution while acknowledging our own capacity for foolishness when it comes to matters so deeply intertwined with human nature.
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